This tutorial video demonstrates how to draw icons for web and mobile app based on a grid system by using Adobe Illustrator.
This tutorial video demonstrates how to draw icons for web and mobile app based on a grid system by using Adobe Illustrator.
A picture says a thousand words and logo designers know it. This is why they hid secret messages in a picture that seems to be really simple at first sight. Sometimes, it is just another way to represent their products, but there can also be an interesting story behind this. Some of them spend one million dollars on a new logo, and others find out that there is something hidden in the picture even if it was not their intention. And you will get the chance to see all of them because today, we are showing you 15 secret messages in famous logos.
Have you heard about Apple’s story? Alan Turing is one of the men who worked on the first computers. Unfortunately, his work was not recognized, and people forced him to cure his homosexuality, so he ended his life by biting in an apple full of cyanide. Many people believe that this is why the apple in the logo is bitten and sometimes really colorful. But you will be surprised to hear that this story is not true! You’ll have to watch our video to know the real reason why this logo was designed like that.
Here is a video how to create a moving chain in SolidWorks. The chain is one multibody part, in the assembly, a hidden part will push the links forward.
Modelling up a Simple Table using SolidWorks Weldments is easy. This video will take you through creating a 3D sketch, downloading the latest Weldment Profiles off the SW website (via Design Library), adding them to your folder, and then using them to create a simple Table. Trimming Extending, and End Caps are also shown. Then finish them off using a Weldments Cuts List, and a Bill of Material.
ux designer design includes elements of interaction design, information architecture, user research, and other disciplines, and is concerned with all facets of the overall experience delivered to users. Following is a short analysis of its constituent parts.
ux designer is integrated into software development and other forms of application development to inform feature requirements and interaction plans based upon the users’ goals. Every new software introduced must keep pace with the rapid technological advancements. The benefits associated with integration of these design principles include:
Benefits Of Responsive Website Design Services
Responsive web design (RWD) is an approach to web design aimed at allowing desktop webpages to be viewed in response to the size of the device one is viewing with.
A site designed with RWD adapts the layout to the viewing environment by using fluid, proportion-based grids, flexible images, and CSS3 media queries, an extension of the @media rule, in the following ways:
The fluid grid concept calls for page element sizing to be in relative units like percentages, rather than absolute units like pixels or points.
Flexible images are also sized in relative units, so as to prevent them from displaying outside their containing element.
Media queries allow the page to use different CSS style rules based on characteristics of the device the site is being displayed on, most commonly the width of the browser.
Responsive web design has become more important as the amount of mobile traffic now accounts for more than half of total internet traffic.[13] Therefore, Google announced Mobilegeddon (April 21, 2015) and started to boost the ratings of sites that are mobile friendly if the search was made from a mobile device.
Hal Varian, Google’s chief economist, provides an in-depth and insightful overview of how the ad auction works. Hal describes how the auction system works so that consumers always see the most relevant ads and advertisers get the most value. He also provides insight into the key components of ad rank: bid, quality and formats, and the way all of this works together to determine your ad’s position and cost.
https://nuve.com.au/services/internet-marketing
We’ve been making hyperlapses for a couple years now and because the technique produces such amazing results, but is really not difficult, we wanted to make sure everyone knew how to do it. Here is our tutorial, from start to finish, including how to process the images in Lightroom and After Effects.
The camera
will sell for $3200/€3600, body only, when it arrives in November.
The Sony A99 Mark II 5-axis image stabilization is rated to 4.5EV by CIPA testing. Its shutter is rated to over 300,000 shots.
The Mark II 42.MP sensor (most likely similar to the one found on the a7R II) uses BSI-CMOS technology with copper wiring for ultra-fast readout. The camera also has a newly-developed front-end LSI (processor) to cope with the speed of the sensor.
Body-wise, the a99 II is 8% smaller than its predecessor and is made of magnesium alloy. A newly redesigned shutter has a lifespan of 300,000 exposures. It has a large XGA OLED viewfinder with a magnification of 0.78x. A fluorine coating helps to keep fingerprints and oil off of the outer element. Its 3″ (non-touchscreen) LCD display can tilt in 3-axis. The ‘silent Multi-Controller’ on the front of the camera now offers a click on/off feature. As with the a99, the Sony A99 Mark II has dual SD card slots. In an act of mercy, Sony has also redesigned the a99 II’s menu system.
Sony A99 Mark II video is, of course, also a big deal. The a99 II can capture 4K at 100 Mbps (using XAVC S) with full sensor read-out and no pixel binning. A Super 35 option is also available, with 1.8x oversampling. A ‘Slow and Quick’ mode lets users jump between 1 and 120 fps at the push of a button. All of the capture tools you’d expect are available, including zebra patterns, time code, S-Log2 and S-Log3 profiles and 4:2:2 output over HDMI.
| Canon EOS 5D Mark IV | Nikon D810 | Sony Alpha SLT-A99 | Sony A99 Mark II | |
| Sensor effective resolution | 30.4MP Dual-Pixel CMOS n/a 14-bit |
36.3MP CMOS 12-channel readout 14-bit |
24.3mp Exmor CMOS n/a 14-bit |
42.4MP Exmor R CMOS 14-bit |
| Sensor size | 36 mm x 24mm | 35.9 mm x 24mm | 35.8 x 23.9mm | 35.9 x 24mm |
| Focal-length multiplier | 1.0x | 1.0x | 1.0x | 1.0x |
| OLPF | Yes | No | Yes | No |
| Sensitivity range | ISO 50 (exp)/100 – ISO 25600/102400 (exp) | ISO 32 (exp)/64 – ISO 12800/51200 (exp) | ISO 50 (exp)/ISO 100 – ISO 51200/ISO 102400 (exp, via multishot NR) |
ISO 50 (exp)/ISO 100 – ISO 25600/102400 (exp) |
| Burst shooting | 7fps 21 raw/unlimited JPEG (with AF/AE fixed on first exposure and IS off) |
5fps n/a (6fps in DX mode, 7fps with battery grip) |
6fps 13 raw/14 JPEG |
12fps 54 raw/60 JPEG |
| Viewfinder (mag/ effective mag) |
Optical 100% coverage 0.71x/0.71x |
Optical 100% coverage 0.70x/0.70x |
OLED EVF 0.5-inch 2.4 million dots 100% coverage 0.71x/0.71x |
OLED EVF 0.5 in/1.3 cm 2.4 million dots 100% coverage 0.78x/0.78x |
| Hot Shoe | Yes | Yes | Yes | Yes |
| Autofocus | 61-pt High Density Reticular AF II 21 cross-type at f5.6 20 cross-type at f4 and f5.6 20 horizontal at f5.6 5 dual cross-type at f2.8 and f5.6 61 to f8; 21 cross-type |
51-pt 15 cross type 11 cross type to f8 (Multi-CAM 3500-FX) |
dual phase-detection system 19pt 11 cross type; 102pt focal plane |
Dual phase-detection system 79 points 15 cross-type points 1 center to f2.8 399 points focal plane |
| AF sensitivity (at center point) |
-3 – 18 EV | -2 – 19 EV | -1 – 18 EV | -4 – 18 EV |
| Shutter speed | 1/8000 to 30 secs; bulb; 1/200 sec x-sync | 1/8000 to 30 secs; bulb; 1/250 sec x-sync | 1/8,000 to 30 secs; bulb; 1/250 sec x-sync | 1/8,000 to 30 secs; bulb; 1/250 sec x-sync |
| Shutter durability | 150,000 cycles | 200,000 cycles | 200,000 cycles | 300,000 cycles |
| Metering | 150,000-pixel RGB+IR with 252 zones | 91,000-pixel RGB 3D Color Matrix Metering III | 1,200 zones | 1,200 zones |
| Metering sensitivity | 0 – 20 EV (-4 – 20 EV in Live View) |
0 – 20 EV | -2 – 17 EV | -2 – 17 EV |
| Best video | QuickTime MOV Motion JPEG DCI 4K (4,096 x 2,160) 2160/30p @ 500Mbps, 720/120p; 1080/30p HDR |
H.264 QuickTime MOV 1080/60p, 50p @ 42Mbps, 1080/30p, 25p, 24p @ 24Mbps |
AVCHD 1080/60p @ 28Mbps, 1080/24p @ 24MBps | XAVC S UHD 4K 2160/30p, 25p, 24p @ 100Mbps; 1080/120p @ 100Mbps |
| Audio | mono; mic input; headphone jack | stereo; mic input; headphone jack | stereo; mic input; headphone jack | stereo; mic input; headphone jack |
| Manual aperture and shutter in video | Yes | Yes | Yes | Yes |
| Maximum best-quality recording time | n/a | 20 minutes internal 40 minutes (with external pack) |
n/a | n/a |
| Clean HDMI out | n/a | Yes | Yes | Yes |
| IS | Optical | Optical | Sensor shift | Sensor shift 5 axis |
| LCD | 3.2 in/8.1 cm Fixed touchscreen 1.62m dots |
3.2 in/8 cm Fixed 921,000 dots plus extra set of white dots |
3 in/7.5 cm Articulated 921,000 dots plus extra set of white dots |
3 in/7.5 cm Multiangle 1.2m dots |
| Memory slots | 1 x CF (UDMA mode 7), 1 x SDXC | 1 x CF (UDMA mode 7), 1 x SDXC | 2 x SDXC | 2 x SDXC |
| Wireless connection | Wi-Fi, NFC | Optional (WT-4A Wireless transmitter or UT-1 Communication Unit with WT-5A) |
None | Wi-Fi, NFC, Bluetooth |
| Flash | No | Yes | No | No |
| Wireless flash | Yes | Yes | No | Yes |
| Battery life (CIPA rating) | 900 shots (VF), 300 shots (LV) (1,865 mAh) |
1,200 shots (1,800 mAh) |
410 shots (1,650mAh) |
390 shots (VF); 490 shots (LCD) (1,600 mAh) |
| Size (WHD) | 5.9 x 4.6 x 3.0 in 151 x 116 x 76 mm |
5.8 x 4.9 x 3.3 in 146 x 123 x 81.5 mm mm |
5.9 x 4.5 x 3.1 in 147 x 111.2 x 78.4 mm |
5.6 x 4.1 x 3 in 143 x 104 x 76 mm |
| Body operating weight | 31.4 oz (est.) 890 g (est.) |
34.6 oz 980 g |
29.2 oz 827.8 g |
29.9 oz (est.) 849 g (est.) |
| Mfr. price (body only) | $3,500 £2,630 AU$5,200 |
$2,800 £2,140 (est.) AU$4,500 |
$2,000 £2,050 AU$2,500 |
$3,200 |
| Release date | September 2016 | July 2014 | October 2012 | November 2016 |
Optimize Images before you upload your next photo, logo, or banner image to your store, upload quality and file size. You dont want to make the mistake of uploading a ginormous file size.
Your customers won’t wait around for that picture to load and leave your site.
On the other hand, you dont want to upload a poor pixelated and blurry image. Your website will look unprofessional. The secret is to save all images for web format, before uploading.
Do you think you can just download an image from a digital camera and save the image to web just like that?
You actually can but with all the different types of digital cameras out in the market with each having its own different settings, you’re going to need to check the image size first.

Among what is covered is the “12” fps mode (which fixes the camera’s aperture but let’s ISO and Shutter speed vary to capture correct exposure while maintaining speed) as well as the new locking focus variable flexible spot mode.
Although Sony stresses that the A77 II shouldn’t be compared to pro-grade cameras because it’s much less expensive, it is starting to gain the kinds of specifications that – at least on paper – suggest it could be capable of punching considerably above its weight. For instance, the improvements to the A77 II’s autofocus system extend a long way beyond the focus sensor itself.
The Mark II gains a range of subject identifying technologies that Sony has introduced in recent models. As such, it offers Eye-AF, rather than just face detection. It also gains the most advanced version of ‘Lock-On AF’ that we’ve yet seen, which will allow you to specify an off-center starting AF point. Previously most Sony’s assumed your subject was the thing at the center of the frame, when you started tracking.
Sony SLT-A77 II key specifications:
This tutorial goes over some practical tips on creating a cinematic look with your DSLR footage in Premiere Pro.
In this video I cover the basic camera settings to achieve a popular style and some effective editing techniques in Premiere Pro. To begin with have a read of the comments some much more qualified people have shared their useful tips.
You can also use a neutral density filter to reduce amount of light entering the camera. This will allow you to shoot with a wide aperture in bright daylight while keeping the exposure correct.
You could overlay an image with black bars to make a 2.35:1 aspect ratio. Some filmmakers suggested it’s better to make the project with the correct ratio so that film display better on ultra-widescreen.
You can change this in the composition settings or in the export settings in premiere – for 1080p footage. The resolution will then be 1920×810 pixels (rather than 1920×1080).
In this tutorial of Photoshop cc we will learn to make 3d text effect using 3d feature of photoshop cc and this tutorial is easy to understand and having a music at background.
This is an intermediate Solidworks tutorial teaching users how to create a nut and bolt. It covers the following:
-Sketch, extrude, curves, dimensioning.
Learn how to shoot product photos as good as those that you see in the website & brochures of Clinique. In this tutorial, master trainer Andrew Boey teaches you how to use the ‘Zebra Flag’ & ‘M Flag’ to get such amazing photos. You will also learn how to make a new type of flag: the ‘Zebra M Flag’. This flag will give you beautiful product photos like those shot by international commercial product photographers. This tutorial was filmed during Andrew’s Professional Product Photography class at Nikonian Academy (www.nikonian.com.my)
In the following tutorial we will look at some very simple timeline video editing with Adobe Premiere Pro. This was for my Philly is ugly project.
Here is another LOGO Designing Tutorial. In this video we have used 3D Extrude and Bevel, Gradient, Perspective to create this LOGO Design. Whole preparation process for designing a Professional Logo has been explained with necessary tips.
Quick tutorial showing how to do a basic edit on Raw Wedding photos in Lightroom.